John Scalzi wrote an article about the new Amazon all-you-can-eat-self-publishing model, and why it’s bad news for self-publishing authors. I agree that this kind of subscription model makes writing a zero-sum game, but I disagree that that’s not the case for other forms of publishing.
Full disclosure, I’ve written a book, but haven’t published it yet, so I have limited knowledge of the publishing industry. I have been part of the software industry for fifteen years, and seen the way economics work there, which I feel has some bearing on e-books at the very least. Continue reading “The Zero-Sum Game”
I went to see the Hobbit 3: the Battle of the Five Armies yesterday. I found it to be a fitting ending to the series. Much better than the prequel trilogy we do not speak of. Of course, no matter how good I think a movie is, I always take the story apart and see what works and what doesn’t, because, you know, I don’t have an off switch for that.
There are a lot of different feasts that are all celebrated around the middle of winter.
The Christian celebration of the birth of Christ, the celebration of the winter solstice, the celebration of a soft drink (that means you Coca Cola), and the Scandinavian celebration of dressing up in goat skins and going door to door called Joulupukki.
So, a large percentage of the world population is celebrating something. I wonder if it isn’t the largest celebration in the world – Although, China, India, and the Islamic countries are not along for the ride. Anyway, merry Christmas / winter solstice / Coca-Cola party / Joulupukki everyone!
In a previous post, I identified broken plot and broken characters as reasons that I feel stories often fail. Last time I talked about plot, so today, I’ll talk about broken characters.
By broken characters, I mean characters that are not internally consistent. That doesn’t mean that all stories should focus on character. Read Characters & Viewpoints by Orson Scott Card for more about his famous MICE quotient.
You can have characters that do not grow or change, and do not even have a big role. However, they can still be broken, and they can still ruin a story.
By internally consistent I mean, given the situation that a character is in, and their background, they should act in a plausible way. It doesn’t mean they have to be rational, but it does mean their actions flow logically from who they are and what happens to them. For instance, if an armed police officer witnesses a crime, they will call it in, or try to stop it. Of course, the officer can cower in fear, but then you’ll have to give an explanation for this at some point in the story. Characters can be completely irrational, but you have to establish them as such. Continue reading “Broken Characters: to thine own self be true”
After watching the episode 3 in the movie theatre, I spent about an hour afterwards ranting with some friends, in front of the theatre. With an audience.
Since I really loved the original Star Wars trilogy, I needed to release my disappointment somewhere. So, I channelled it into a spoof script of the movie. The Other Revenge of the Sith was the result.