
I was watching a TV show on Netflix with my daughter last week. Children’s shows vary a lot in quality, and the plotting in this one was particularly egregious. The show was stuffed with fake plot. Let’s look at what that is.
I was watching a TV show on Netflix with my daughter last week. Children’s shows vary a lot in quality, and the plotting in this one was particularly egregious. The show was stuffed with fake plot. Let’s look at what that is.
Often, stories lack a proper plot, but sometimes it’s the opposite: a story can drown in too much plot. And that can be a big problem.
Miscommunication is something that we all run into in daily life. It can also be a powerful tool for driving stories… unless you use it wrong.
The passive voice is a language construct that is abhorred by many people. I disagree. As with any tool, you shouldn’t overuse it, but it does have a use, even if people might say it should be killed off in all writing.
After watching the first two episodes of Star Trek Discovery, I realized a I was missing a smell of bad writing: the Character Overdrive. Let’s have a look.